Variations on variations: from Miklós Erdély to artificial intelligence

Authors

DOI:

https://doi.org/10.57021/artcadia.4811

Keywords:

Net-art, Miklós Erdély, AI-art, iteration, variation

Abstract

The article explores the phenomenon of “variation” throught the paradox of the divisibility of one. If the one is divisible, then we claim that the “one” is also many, i.e. it is the opposite of itself. Variations retain their identity with the original while their difference becomes important. Miklós Erdély’s investigations and theses provide a good basis for examining this paradox. Although Erdély starts from the notions of identity and repeatability, he also incorporates seemingly contradictory variations based on modification of the iteration. As with biological mutation, randomly generated variations based on repetition play an important role in computer-generated art. Variations are an essential element of Net-Art and AI-generated artworks, and this article explores their characteristics.

References

Elgammal, Ahmed et al. „CAN: Creative Adversarial Networks Generating “Art” by Learning About Styles and Deviating from Style Norms”, Arxiv, 2015, https://arxiv.org/pdf/1706.07068.pdf

Erdély Miklós. Ismétléselméleti tézisek, 1973. Artpool, https://artpool.hu/Erdely/Ismetles.html

Erdély Miklós. A filmről. Balassi kiadó, BAE, Tartóshullám – Intermédia: Budapest, 1995.

Jonckheere de, Philippe. desorde.net, http://www.desordre.net/accueil.htm

Klingemann, Mario. Memories of Passerby 1, 2018. https://underdestruction.com/2018/12/29/memories-of-passersby-i/

Papp Tibor. „Disztichon Alfa”. Magyar Műhely, 1994. https://disztichon-alfa.iti.abtk.hu

Young, David. Manipulations, 2020. https://davidyoung.art/work/manipulations.html

Vekerdi László. „Az „egy” és a „sok””. Fotóművészet, 1972/1, 16-21.

Published

2023-07-05

Issue

Section

Tematikus

How to Cite

Variations on variations: from Miklós Erdély to artificial intelligence. (2023). ARTCADIA, 2(1), 47-52. https://doi.org/10.57021/artcadia.4811